Featured artists include: Sugarland (#1 Billboard Top 200 album, The Incredible Machine), Easton Corbin (#4 Billboard Country/#10 Billboard Top 200 Album, Easton Corbin), Billy Currington (#2 Billboard Country/#9 Billboard Top 200 Album, Enjoy Yourself) and Jamey Johnson (#1 Billboard Country/#4 Billboard Top 200 Album, The Guitar Song).

How to play: Hidden somewhere on our website is a page that will let you listen to three of our new Intro Edits, and to hear for yourself the difference the extended 16 & 32 beats intros and outros we now add to the hottest new releases can make. To enter your name in our holiday drawing, simply jot down the names of the three songs along with your name and customer number and call, email, or fax them in before December 22nd, 2010.

How to find the link? Simply visit us on Facebook at http://www.facebook.com/PromoOnlyInc and search for our Intro Edits update. And while you're there, why not "friend" Promo Only and stay on top of all the latest news, including some BIG announcements for 2011...

Season's Greetings from all us at Promo Only and Universal Music Group!

"If you haven't already joined the vLog Revolution, you should!" says DJ Success Coach Stacy Zemon.  "Video blogs are a great way to extend your brand and keep the buzz going about your services."

Like to hear more? You can check out Pro Mobile DJs' resident expert Jason Jani's tips on producing successful video captures of your events by clicking here.

About Pro Mobile DJs: Thousands of mobile entertainers from around the world have come to regard ProMobileDJ.com's Portal to the Disc Jockey Business as a must-bookmark blog for bettering their businesses.  The site is chock full of tools and resources from Zemon herself, as well as a team of nationally renowned DJ industry experts.

There are few solo artists who dare to tackle performing bachata music at the international level. Fewer still embody the charisma and talent to make the genre their own in a way that no one has before.

Geoffrey Prince Royce Rojashas done just that and then some with his self-titled debut album (certified Gold by the RIAA), a Latin GRAMMY® nomination (for Best Tropical Contemporary Album), and a tour de force first single, a bilingual, bachata cover of the timeless 1961 Ben E. King song, Stand By Me.

Royce's rendition of Stand By Me stands as the first bachata song to be played on pop and R&B radio in the US; the video of the song has been viewed more than five million times on YouTube alone; factor in Royce's ubiquitous Latin TV appearances and global touring schedule and you've got the makings for one serious up-and-coming young artist.

 "I had envisioned this a long time ago so it feels right and very normal. I always had faith, almost a feeling of certainty that this would happen as long as I worked hard enough and focused on my music. Now the overwhelming feeling is one of gratitude," says Royce.

Born and raised in the Bronx, Royce credits his drive and determination as well his positive attitude to the influence of his parents.

"My mom had also dreamt of being a singer when she was young, so she was supportive from the very beginning, and together with my dad, they instilled in me that with hard work, persistence and focus I could achieve anything. Music has always driven me and kept me happy so it was easy to stay focused, positive and away from any negative distractions," he says.

His initial exposure to bachata also came from his parents, both from the land of the bachata, the Dominican Republic. "They always instilled a strong sense of cultural identity and pride so I grew up listening to what all the other young people were into, hip hop, R&B, and pop, but also really loving bachata," he explains. "I just never expected that I would ultimately launch my career."

Still, Royce promises that what will ultimately set him apart will "not be purely Bachata," but rather more of an urban experience within the tropical genre. "I want to take Bachata to another level, adding different elements to modernize it and make it more relevant to young people, while also maintaining a respect for the traditional sound I grew up loving", he says.

For the latest info on Prince Royce visit http://princeroyce.com/...

Your typical iPad app might not be enough to convince a seasoned DJ to go iPad-only, but then, a medium-sized, multi-touch surface can only come so close to replicating a turntable, right? Wrong: With djay for iPad, algoriddim has not only impressively mimicked traditional decks, they've added features that your average DJ setup doesn't have.
For the record, djay for iPad is not a remote. It's a freestanding deck with two turntables, a crossfader and all of the music on your iPad. Throw a track on a turntable (click the "add track" button and pick a song from your iPod library), and it immediately grabs the end time and starts building a waveform and measuring BPM as it plays. It also remembers tracks it has already analyzed, and even stores cue points that you set on a track between loads. You can spin tracks forward and backward, scratch and even closely approximate brakes and backspins. Optionally, it can add tape markers to help with cueing, and the waveform display above the table zooms in when you're spinning or scrubbing so that you can target beats visually.

Controls

Sliders at the top let you adjust the gain for each track individually. Sliders on the left and right let you set the speed, plus and minus manually, or sync one track to the other automatically (within about a 10 percent BPM difference). If you have a mono/stereo headphone adapter, you can pre-cue in your headphones while the main mix is sent independently to your speakers. Add a crossfader (which it has, obviously), and you've got a pretty complete simulation of an actual deck. It doesn't feel the same, but with a little practice, djay can hold its own with the real thing.

Automation

The Automix feature can be a lifesaver: Should the situation call for it, you can cue up a playlist and leave djay running all night, or at least long enough for a trip to the bar, without ever having to touch it. You can set the transition style to Standard, Backspin, Brake or Reverse, or just set it to Random and let it seem like you're being creative the whole time. You can record a set ahead of time, too, and sync it to your Mac or PC with iTunes.
Handy tip: djay uses a lot of memory, what with the track-by-track waveform and BPM analysis, so if you're planning to run the whole evening with it, we suggest you restart your iPad first to free up as much memory as possible.

Our take: Give djay for iPad enough breathing room, and it will rock the house. You can read more at algorridim's site, or head straight for the Apple Store ($19.99).

The Hitlist

**EDITORS NOTE** The current Hitlist may still be in the process of being compiled so please check back if the one shown is not the most current.